نسب العمل إلى مُؤَلِّفه – يلزم نسب العمل إلى مُؤَلِّفه بشكل مناسب وتوفير رابط للرخصة وتحديد ما إذا أجريت تغييرات. بالإمكان القيام بذلك بأية طريقة معقولة، ولكن ليس بأية طريقة تشير إلى أن المرخِّص يوافقك على الاستعمال.
الإلزام بترخيص المُشتقات بالمثل – إذا أعدت إنتاج المواد أو غيرت فيها، فيلزم أن تنشر مساهماتك المُشتقَّة عن الأصل تحت ترخيص الأصل نفسه أو تحت ترخيص مُتوافِقٍ معه.
(65) (1) This section applies to sculptures and to works of artistic craftsmanship of the kind referred to in paragraph (c) of the definition of artistic work in section 10. (2) The copyright in a work to which this section applies that is situated, otherwise than temporarily, in a public place, or in premises open to the public, is not infringed by the making of a painting, drawing, engraving or photograph of the work or by the inclusion of the work in a cinematograph film or in a television broadcast.
(66) The copyright in a building or a model of a building is not infringed by the making of a [reproduction].
(68) The copyright in an artistic work is not infringed by the publication of a [reproduction] if, by virtue of section 65, section 66 or section 67, the making of […] did not constitute an infringement of the copyright.
This freedom applies to two-dimensional works only if they are considered "artistic works." See COM:CRT/Australia#FOP for more information.
This Statue was erected to replace the original concrete Nanny Goat placed there in 1960 by the Rotary Club of Cooma. The current statue is in fact in steel and was created by Chris Graham under commission of the Rotary Club of Cooma after the original statue began to deteriorate.